Jiro Taniguchi is a wonder to behold. You could read one of his books, marvel at the artwork and not even have to read the dialogue. I’m not saying you will follow every window but you could get by without them. The man is a modern wonder. He hasn’t written a magnus opus (well, I think he has but I’m not everyone) but there’s a world in all of his books. I’ve written before about this effect in his books where you try and peer around buildings and people because you want to see more. I am happy to read and write about Taniguchi for as long as I can keep reading his stuff. With that, I commend to you, The Walking Man.

Well, what can I say about The Walking Man? Really, there’s not much to say about the plot. A thirty-something salary man spends time reading, buying essentials, spending time with his wife, meeting people going about their business. While walking. That’s about it, in essence. There really is nothing else to it. So, what is left to describe? Plenty, in my book. The first thing to say is the timelessness of the story in that it could happen at any time during the last forty years of Japan’s history. It’s take place in a prefecture in Tokyo but not in the actual city. There’s no large architecture, no identifiable buildings. The city has railways, trams and modern canal rivers. But this is where the measurable world stops. Other than that, no other modern conveniences come into the view. So the Man goes about his life and we stop worrying. Without a forward moving narrative, Taniguchi forces us into outward viewing habits. Streets are examined, landscapes are considered and the full luster of Taniguchi’s world is on display. Oddly, for such an outside view, my mood during this has been introverted. I find myself asking fundamental questions about myself. Am I really happy in my life? Do I take time to appreciate what wonders are around me?

There is a stillness to Taniguchi’s work here that is similar but not entirely the same as, say, Quest for The Missing Girl or The Ice Wanderer. In Quest, the events dictate the scenery and in Ice Wanderer the location dictate the events, hence the scenery. I know this sounds weird but every time I read this and it comes to the park scene, I swear I can hear birdsong. Plus, when it snows, I can feel the snow. When the Man goes to climb a tree, he stops and takes in the view, and it’s a great view, going on and on into the distance. When was the last time you read something like that in a manga?

Is it fair to try and describe the characters in a story that eschews normal narratives like plot construction and character arcs? The Man is a good solid character with a quiet disposition. He’s our guide but he is not the primary player. His wife seems to not mind his figaries, sometimes coming with him. The rest of the people are people who the Man encounters on his travels. Children, elderly ladies, fellow walkers are all passengers in this book. The Man is a conscientious citizen who helps his fellow man but he’s not above, ahem, breaking and entering a public pool to go for a swim. But no harm, no foul in this case. I like when he comes home from the local bar slightly tipsy and, rather than subject his wife to a chorus of “Honey, I’m home!”, he decides to walk it off. In doing so, he learns, as do we, of the wonder of the night. I can go on but I’m just spoiling the book.

Now, there is one thing that, well, I’m not so happy with about in Walking Man. The last chapter, titled 10 Years Later, is literally set ten years later. The Man is still the same as is his Wife and everything else. But for this final chapter we have narration. In the other chapters, there is dialogue but that’s about it. Having narration, I feel, adds an element to the story that’s not necessary. I do realise this story was written ten years in real life and yes, authors can and do change their minds about things. But if this is the case then go back and add narration to all of the chapters or remove all of it. It’s just not needed. But it’s just my whims, and it shouldn’t detract from this amazing work.

In the final analysis, this is unlike anything I’ve ever read. Once, I asked a schoolmate so very, very long ago now, what would a graphic novel or comic look like with no narrators boxes or dialogue. Aside from the final chapter and the odd bit of dialogue, I believer I’ve found it.

The Walking Man, as with a lot of Taniguchi’s work published jointly by Fanfare UK/Ponent Mon. They do wonderful jobs at packaging and presentation. Walking Man is present flipped to read from left to right but don’t let that put you off. I implore you to enjoy this for yourself. It’s really that good.

This review is presented as part of the Jiro Taniguchi Manga Movable Feast for the month of March 2012. More info can be found here.

I was once, in a former life, a video jockey at my local video rental place. Even before I started working there, I was a regular customer, I knew where each section was, knew which tapes were in good nick, knew all the staff and could recommend films to other customers. Every person had a story, a path or a purpose that brought them to my desk. More often than not, they knew what they wanted. But sometimes they were too stumped or too frazzled to pick something. So, I would chose something for them. Usually, it was a children’s film, a drama or a good action flick. The people who rented that last genre would be so drunk they wouldn’t even notice what I gave them. But they wanted an action film so I picked the one I thought they’d like. They would always come back to me. (Please note: not all my customers were drunk when they came in. The example given is a small cross section of my former customers). So when I began to read Kingyo, I found the manga equivalent of my video shop. So after I read each volume that’s been released so far, I would let out the same sigh I used to have when another satisfied customer would go out the door of the video shop. I felt good that a character had found contentment. It’s a wonderful feeling to have and it came from a book showing a world I knew nothing about.

Natsuki is technically in charge of Kingyo and when her grandfather announces he is going to go on a search for manga in Japan, she takes over the running of the shop. She is easily my favourite character simply because it isn’t that she’s a manga freak like Shiba is, it’s just that she gets a huge amount of joy from helping people. Shiba is a fantastic character. He reminds me of myself when I was in my teens. Always reading with my head in the clouds. I love the feisty, lively and, if exasperating at times, relationship he has with Natsuki. He clearly likes her but he’s too much of a dreamer to make the first move. I think Seitaro is a wonderful player on this stage. Sage-wise with a hint of self-deprecating humour about him. My discovery of the relationship that grows between Ayu and Tome, two Sedori (people who buy manga cheap and resell at higher prices to used books shops) who, on the surface, don’t have anything in common with each other is heartwarming. But Tome, while unsure of what to do or say around her, wants to get closer to her and gets pushed away in a nice way by Ayu. But he persists and we get to know them both them in a great way. Going back to Natsuki, her parents have a charm about them. They drive me crazy with their different personalities so I can only imagine how Natsuki has learned to live with them. With each volume, I learn more and more about the cast so it’s a win-win for me.

The background characters are equally impressive. They’ve all got their reasons for going to Kingyo. Sometimes they get an answer to whatever is bothering them at the shop. Sometimes it happens outside the shop. But always it is a surprise when we see the resolution of their arcs. In one story, a young lad stays with his friend rising the train late at night because the boy feels his friend can’t or won’t go home. The friend is inspired to stay on the on the train thanks to Leiji Matsumoto’s Galaxy Express 999. But in the end, the story is resolved with some thought and care, I’m happy to say. Reading a review of volume 3 by Manga Curmudgeon in relation to the Kazuo Umezu chapter and it being somewhat predictable, I agree with him about it being un-Umezu, however, I don’t think this detracts from the story. Far from it, the way the characters describe Umezu, his writing and art makes me want to read more of his work. The chapters that struck a chord with me the most were the chapters about Night on the Galactic Railroad and the one where Shiba drags an uppity kid all over town all because he wouldn’t simply pick up a manga to read, finally lets him take a look at Go Nagai’s Devilman. The Night on The Galactic Railroad story is a wonderful piece about a hostess girl who sort of adopts a small child whose mother abandoned her. The child wants her to read to her the Night on… book so the girl, despite not wanting to, finds herself reading night after night to the child. It’s sweet, sincere and utterly without any purpose. The Devilman chapter is superb because you see this child who is supposedly not fazed by anything get riled by Go Nagai’s titular characte.

You notice how I keep mentioning the “Devilman” chapter or the “Umezu” chapter? This is because Kingyo Used Books focuses on a different book, a real book, for some of it’s chapters. OK, nearly every chapter mentions different books but some actually focus on an author or book and the end of each volume of Kingyo, we get a real used book shop owner explaining the significance of each title. This is because while Japanese readers might be familiar with names like Hinako Sugiura, Kyoko Hikawa, Etsushi Haruki, Tochi Ueyama and Masako Watanabe, English speaking readers may not. This window into certain titles and authors allows us to glimpse into the cavernous world of manga and it made me realise how little I know about it. I find myself drawn to the notes about the titles from the 60’s and 70’s that we have no chance of reading. It grieves me that I’ll have to import them. Maybe, though, JManga might publish some of them. I can certainly hope so.

Another thing I like about the series is the idea of the impermanence of things, i.e. Mono no aware: the feeling of noticing things and being in the moment, for the moment is fleeting. The cast of Kingyo move in their arcs, all the while we are conscious that they too will one day be gone and the books they care for or read will one day be in the hands of someone else. Few things in anime or manga have taught me as valuable a lesson as this concept has. When I have read stories like this (or even any book/anime/film) I try and commit it to memory. It helps me to form a more complete map of my own internal workings. Because as the man said: “[time] goes with us on the journey, reminds to cherish every moment. Because they’ll never come again.” I applaud Ms. Yoshizaki for being to able to communicate this kind of concept and I wish I could read more of her works. It’s just another reason on my list to try and learn Japanese if only to expand my worldview.

Ultimately Kingyo Used Books is a story about used book sellers and readers enjoying their books while trying to make their way through life. There’s nothing else to it, no magic second or third act that the cast suddenly become intergalactic bounty hunters. Though, that would be interesting, I’m sure. If you have an inclination to read something that challenges you beyond the confines of typical manga. The series is ongoing in Japan but at this time VIZ under their SIGIkki line has put out the first four volumes so far at six month intervals. March this year will mark the end of the last six month cycle. Here’s hoping that people read this overview and give the series a try.

I encourage you to sample Kingyo Used Books on the SIGIkki website along with others in the line. If I could recommend some others, then please check out Saturn Apartments and I’ll Give It My All…Tomorrow. If you would further indulge me, check out my podcast with Ed Sizemore where we discuss Kingyo Used Books in further detail.

Ed’s Twitter page

Comics Worth Reading (Johanna Draper Carlson’s site and an excellent resource for manga)

Ed’s entries on Comics Worth Reading (Ed used to have a regular column there and still writes for it)

Caleb Dunaway’s Twitter

Download audio file (ECP_Season_3_kingyo.mp3)

DIRECT DOWNLOAD

Please buy Kingyo Used Books through our Amazon links. It helps maintain the podcast.

Amazon UK:

Kingyo Used Books, Volume 1

Kingyo Used Books, Volume 2

Kingyo Used Books, Volume 4

Kingyo Used Books, Volume 4

Amazon US:

Kingyo Used Books, Vol. 1

Kingyo Used Books, Vol. 2

Kingyo Used Books, Vol. 3

Kingyo Used Books, Vol. 4

Side note: I’m now writing almost all the time now for Otaku News with news and review pieces. Check it out and look for my handle in the headers and see else I’ve screwed up on. I’m also writing a monthly column for MangaBookShelf called Shoujo I’m Scared Of.

Visiting the dealers room at Otakon, I found myself looking for these titles as I would have to special order them back home. Picking them up, I decided to read them on the plane journey home. Was I glad to have read and now review them? Between the two of them, Not Love… is more easy going and out and out funny. But AMDD, to shorten the title, was a different rhythm and therefore had a different impact on me.

Yukiko, a thirty something woman, lives with her mother Mari. One day she comes home to find her mother has started dating and moved in a young man, Ken, who she met at a host club. Of course, Yukiko thinks that Ken is trying to con Mari out money or God knows what else. However a revelation Yukiko discovers about herself forces her to move out into the big world for the first time. From what I saw of Ken, he seems like a nice guy who can see through Yukiko’s anger and knows that there’s more going on than her just being angry at he and Mari. And so she moves out to stay with friends. Now any other kind of manga would have the story be about Mari and Ken’s relationship developing and Yukiko coming to terms with it. But Yoshinaga doesn’t dwell on it, instead focusing on Yukiko and the people she lives with and hangs out with and their lives. From Mr. Izumi, whose student wants to give, um, “gratification” but not be in a relationship with him to Wakabayashi who tries to find a husband despite not having it in her to be discriminatory.

The stories are varied and Yoshinaga does a good job making me care about people I have literally just met. There’s something about how the casts good and bad points are laid bare and there’s nowhere to go. In Izumi’s case, his relationship with his student starts off sleazy (I don’t know how to say that she started it without it seeming like she’s at fault) and he’s not comfortable with it at all but by the end of their relationship he feels that the girl is on a better path without him. I love the story of Saeki, one of Yukiko’s childhood friends. To put a long story short, when she, Yukiko and fellow friend Yuko were all in school, they all had dreams and hopes for the future. And, well, for some life turns out as they wanted and for others, not so much. Saeki’s story could be yours and mine and it made all the more poignant by the fact that she and Yukiko don’t interact with each other during the story except for one postcard. I found myself *blinking* a lot during her story. Finally the last story deals with Yukiko as we end our journey with her. There’s a fine sense of resolution with her and I am so impressed that Yoshinaga managed to end the story with a great sense of connection between Yukiko, Mari and Mari’s Yukiko’s Grandmother.

Artwise, Yoshinaga treads a fine line between very watercoloury pencil lines for her characters to more absurdist artwork that is more frequent in Not Love… The pace of the story means that I can appreciate her artwork more as I leaf back through the book. There’s a stillness to some of the pages that makes you feel every sigh, sob and laugh. The cover and cover inlays of the book are in colour and I would love to see more of Yoshinaga’s work in colour. There’s a kind of vintage vibrancy to her colour work that I feel like.

Ultimately, the book is less about the trials of Yukiko, Mari and the others than it is about the mirror being put against our own lives as we struggle to make it in the world. You will see something of your own life in these pages and it’s nice to let it out for air once in a while. Ms. Yoshinaga’s All My Darling Daughters helps you do just that.

Psst: (Shameless promotion) If you want to buy this from Amazon, click on the image of the book and I’ll get a cut ;-D

WARNING: CONTAINS SOME SPOILERS!

I always strive to find new things in anime and manga. Sometimes, they hit you like a bolt out of the blue. I’ll wouldn’t be the first person to say that growing up in Ireland, you realise as you discover the internet and people from other countries, their experiences and how they live their lives, just how much you were sheltered. I will not go into the societal structure of Ireland in the late 1980’s and early 1990’s, suffice to say that we really were socially unprepared for the onslaught of the concept of the “different lifestyle”, that is to say anything the Catholic Church did not view as morally wholesome. You would surprised the things that you’d never consider if you didn’t know they existed. There was, of course, homosexuality in Ireland way before I was born. But consenting intercourse between two males was illegal and a criminal offense until 1993! Imagine being Lesbian, Gay, Bisexual or Transgender (as people identify themselves now) in Ireland? God, I can’t begin to grasp how, well, dangerous it was. You could actually be arrested for trying to show your affection for someone you were attracted to! Thankfully some other countries are further down the road in how they observe, treat, interact with and get along with other people who don’t fit into the society “norms”. In Japan, from what I can ascertain, LGBT people have an easier time in society. Mark you I said easier, as everyone has problems in the society they live in. But I’d never paid any attention to the mechanics of actually being in that group until very recently, as I said at the beginning. So with that in mind, I began searching out for manga or anime that addressed this demographic (can you call it a demographic group?) group. I’ve found some I think fit the bill. But I came across an upcoming manga alert and in it, there was one that I was immediately drawn too. Mostly because I was waiting to watch the anime version of it. So, the focus for today’s review is on the idea of wrapping your head around the fact that you are different. Different from everyone else (every adolescent believes that they are going through tough times on their own) and different enough to not know what to do.

Wandering Son by Shimura Takako is a heartfelt story of two people who I desperately feel for and for their families and friends. Shuichi Nitori is a nice lad who has a loving family and somewhat bossy sister. Yoshino Takatsuki is a girl with a similar, if slightly larger, family situation. But there’s one thing else that the two children share commonality on: they both want to be the opposite sex. Shuichi wants to be a girl and Yoshino wants to be a boy. And they are painfully making their way through the steps of both of them discovering their idenities, sexual or otherwise.

The main thing that drew me to this book was the fact that unlike a lot of western media that plays off the fact that a transgender teenager would have to deal with their friends and peers ostracising or bullying them for being different, Wandering Son goes straight for the heart, tackling the more important idea of how the person in the story feels. Reading the first volume, I can feel their awkwardness at them coming to the decision that they are different from other people and that they need to do something about it.

For me Takako is a great storyteller as she’s imbues her characters with a sense of self. Shuichi keeps having these nightmares, that’s all you can call them right now as they give only scary insights, where he’s interacting with Yoshino and suddenly he’ll be attacked by a loved one and wake up. This is something that informs his character, in what way I can’t say, yet I know these dreams are not just for show. If there is a trigger for Shuichi, it’s a dress that through a mixture of Takatsuki and a girl called Saori Chiba, a girl who goes to class with him. Yoshino gives a dress to Shuichi, making an off-hand remark that Shuichi would look good in it, and then offers it to Shuichi’s sister who gladly accepts. But seeing the dress hanging in the sibling’s bedroom triggers something in Shichi and one day when no one’s around, he tries it on. He answers the door to a stranger and they mistake him for a girl. Then he answers the door to Saori. And she doesn’t even blink. For Yoshino, it’s the fact that she can’t stop biologically being a girl despite how much she wants to be a boy. And when the boys tease her about needing sanitary napkins, she batters them. Just like a boy. I’m not one for violence but there was something satisfying about seeing them slightly bloodied. The leads feel alive, full of doubts and hopes. I feel for them every time they seem close to busting out and suddenly retreat. I can’t figure out though, how much is specific to be a transgender person and how much is run of the mill adolescence. I must admit that some of the trials the children face, I can identify with having been there myself. No, I’m not gay, lesbian, bisexual or transgender but I’ve been five inches tall in my classroom hoping that I find some way of not suffocating surrounded by people who couldn’t grasp what I was feeling. I know what it’s like being this close to your family and being unable to talk with them about your problems but that when you finally do, it’s like the nicest wave to crash over you and cocoon you, ever. I want to tell Shuichi and Yoshino that these trials they face, like all things in life, will pass. That the greatest strength lies in their ability to look beyond the mountain in front of them.

I can’t figure out some of the characters, though. Shichi’s sister, Maho is coming across in a kind of duality. On one hand, she’s treating her brother as any sibling would (bickering and so on) but on the other, she’s seen in dreams as a more hateful figure. Maybe I’m reading too much in this here. Also, Saori. Saori is a likable, if a little weird, girl. She’s completely accepting of Shuichi and all. She helps Shu by suggesting that the class put on a play for their group project where the boys dress as girls and the girls dress as boys. She hopes that this will allow Shu some breathing room.But when she buys him a dress, Shu seizes up and can’t accept it from her. She, in turn, burns the dress in front of Shu and Yoshino. She then is seen praying to God for forgiveness. Now, I’ve skipped over the parts in between this behaviour but you get my drift. I can’t tell if Saori will be a good or bad influence on the two lead characters. Only time will tell.

The two children, Shu and Yoshino, have an interesting relationship. On the surface, Yoshino seems the stronger of the two with her daring attitude and pushing and teasing Shu to go out in a dress. And she has the courage to travel away from her home to dress as a boy. She wants to be a boy more than anything. But under stress, Yoshino sometimes cracks and Shu finds in himself strong support that in the initial pages is not immediately evident. The book ends with Shu making the observation that the “other” him is something that he knows can’t be bought. All the money in the world can’t buy the feeling being the other him gives to him.

The artwork is done in a kind of pastel, almost children’s drawing book kind of way. Takako is to be commended for such a deceptive look to the work. The artwork looks rough as if the author was rushed but it’s all a smoke screen and at times feels like it’s half done. It plays out in such a childlike way that you don’t notice that she’s wrapped you up in a blanket from which there is no escape.

And I don’t want to escape from this story. I want to be alongside these characters as they discover who and how they are. I want to see them triumph in ways that many of us never get to. Most of all, I want to be there at the end even if it ends in failure. My heart breaks when I see people suffer for no good reason except they only want to be themselves. All the “there, there’s” in the world can’t make up for a person who feels they are not and will never reach their full potential.

Matt Thorn must receive a pat on the back for the translation work he’s done here. Some translations askew the need for Japanese honorifics but here Matt explains the need to use it in Wandering Son. If you’re in the mood for more of his work then I suggest you pick up a copy of A Drunken Dream and Other Stories by Moto Hagio also by Fantagraphics. Plus Fantagraphics get high marks for such an excellent job, in particular the design work by Alexa Koenings. Such a stellar job, I hope Fantagraphics continue with their manga endeavours.

Finally, I must stress that any missteps I made in regards to LBGT persons in my review, I do so apologise. I try in my reviews to be as inoffensive as possible and as I prefaced at the beginning, my worldview is slightly rustier than most as it hasn’t had time to develop fully. Give me some time, I’m getting there.

Let me leave you with this thought, dear readers: My online dictionary defines potential as:

1. possible, as opposed to actual

2. capable of being or becoming

3. a latent excellence or ability that may or may not be developed.

With that in mind, let me further posit this amazing idea. This is not the story of two children with the potential of becoming fully grown transgender people. It’s the story of two children with the potential of becoming fully grown people, full stop. I submit to you that’s all we as human beings can only be convicted of if we truly honest with ourselves.

As always you know how and where to contact me. If you would like to follow Shimura Takako and you can read Japanese, here’s her twitter page and likewise for Mister Thorn. If you want to help my website out and get a copy of Wandering Son for yourself for the not unreasonable price of $12.69, click on the cover for Wandering Son at the top of the page.

P.S. Want to have a look inside the book? Check out this video Fantagraphics posted on their website:

I’m not a big fan of Shonen manga. I read it in the course of my day to day but I kind of stay away from it. But I don’t shy away from it by any means. I heard about Cross Game from Ed Sizemore, I believe, and decided to just cover it for the MMF. I had heard Mitsuru Adachi from his work on Touch (which I still haven’t gotten through) so I thought “it’s another baseball manga from Adachi!?” The phrase One Trick Pony came up, I can tell you. But the good news news is that I don’t feel of what I’ve read of Adachi that he’s in danger of being stale.

I found myself liking what I was reading by something I thought of after getting through the first part of volume 1. It was this: there are people with degrees of potential. There are the people who seem to burn bright but are cut down, the people who take a while to burn bright and the ones who seem to burn bright but really are dull on second glance. It’s been said that I give too much away in my reviews so in an attempt to not completely spoil everything I will censor some of my review. You have been warned.

Ko Kitamura, in his third year of Junior High (seriously, I don’t get school ages in Japan/US), and works at his family’s sports equipment shop. He is friends with the Tsukishima family who run a local baseball batting centre, specifically Wakaba and to a lesser degree Aoba. He and Wakaba are the same age with Aoba being a year younger. Because of them being extremely close and friendly, people assume that Wakaba and Ko make a good couple. Ko and Aoba don’t get on but they are not hostile with each other. Life is good with Ko and the Tsukishima’s

[[Visit blog to check out this spoiler]]

. We then see as Ko and the Tsukishima’s grow up together and they enter high school. Ko is an excellent batter and Aoba is a great pitcher. Wakaba states that Ko could be really good. Aoba doesn’t believe her, per se.

Now I’m going to stop “plot-ising” here. The main thing that has me ordering the second volume of this series is the fact that Adachi completely gets the idea of the impermanence of life. People go about their life not knowing what could be around the corner. But they treat each day as best they can. I can’t tell you why but when the story is joyful, the author knows where to break and tell a joke, or give you something to feel light and good. But when things are bad, oh Lord, it’s absolutely heartbreaking.

[[Visit blog to check out this spoiler]]

On page 187-189, I’ve been there. Not specifically that situation, but the feeling of being lost and not knowing what to “do”. But life goes on. Horribly, painfully, it goes on. Where Adachi gets it right is that people cope with loss as best they can. We know they are hurting. But they try their best to meet each day.

The artwork is amazing. When the boys and Aoba play baseball, there’s a fluidity to the proceedings that is really buzzing. I know when they throw things, that they (the baseballs) are travelling fast. Unfortunately when they talk about scores and runs, I still don’t understand baseball. Oh well. The tranquillity of the scenes of daily life is really amazing. I could really feel that summer heat belting down on me. I found myself looking at all the details in the backgrounds to see if I could peer around covers and over buildings!

The characters are lovely, with the main leads getting the most development but the background ones are good too. Daiki Nakanishi, who is friends with Ko, serves as baseman ( I do know what everyone in baseball does, I just don’t know about scoring in baseball). Senda, a shortstop on the high school team, is an eejit. There, I’ve said it. Other than the Tsukishima sisters there aren’t that many female characters but towards the end of the omnibus things do improve at that end. Ko especially, I feel for. He’s not trying to be a great baseball player but he can’t help it. And it’s the Tsukishima sisters that make him want to be better, if only on a sub-consisous level.

All in all, I love this series. I can’t recommend this enough to people. The back of the book states “[the] story will change your perception of what shonen manga can be.” Yeah, that sounds about right in my case.

Oh, boy. I am looking forward to this. I don’t think I’ve been this excited about an anime or manga since I read A Drunken Dream. Boy meets girl in school. Girl wants to be a boy. Boy wants to be a girl. It’s not played for laughs. Lordy, I can feel the hope on the streets with this title. Please, please, watch this. Convince Japan to make more of this stuff. Wandering Son starts simulcasting January 13th from Crunchyroll

From the wiki entry on it: In an island casino called the Howard Resort, Rio Rollins is a popular casino dealer with an uncanny ability to bring good luck to gamblers just by walking past them, earning her the nickname “The Goddess of Winning”. Mint Clark, a young child, comes to the Howard Resort with her grandfather and encounters Rio, and the two become the best of friends.

However, Rio’s life suddenly changes when she obtains one of the 13 legendary cards called “Gates”, and gets involved in a tournament for the title of “Most Valuable Casino Dealer” (MVCD). With her reputation on the line, Rio must compete against the world’s top gamblers to become MVCD.

I know exactly what I’m letting myself in for here. I don’t care. I must balance high stuff like Hourou Musuko with Rio. Just roll with me on this one. Rio – Rainbow Gate! is streaming right now on Crunchyroll.

Boy finds girl. Boy likes girl. Girl needs to protected from shadowy forces. Boy offers to protect girl. Girl turns out to be a Dragon Girl. Who knew? Dragon Crisis will start simulcasting on Crunchyroll from the 11th January

OK, guy rescues baby, finds out he’s the pick to protect the child, who happens to the son of the demon king. Oni will love this. Yeah, this is going to be goooood. Beelzebub is currently streaming in North America and Europe from Crunchyroll

And that’s your lot. What do you think? Would you add something to that? Take something away? Tweet us or leave a comment!

Today we tackle Ocean Waves (or I Can Hear the Sea) from Studio Ghibli, our first review from that studio. I hope we did ok with the review but you lot can me tell other wise. While talking about Ocean Waves, Oni makes a connection in the roles of Liam Neeson of late.

Direct Download

From this:

to this:

and this:

finally:

Sense a pattern forming here?

We briefly touch off the passing of Robotech producer, Carl Macek. We will talk about Mr. Macek on another show but Oni does share some opinions on the man. In the meantime check out the tributes to Carl on Robotech.com.

We also tackle the thorny issue of what will Oni review for the next show. We had a fair few suggestions. Which one won? You’ll have to watch it and see!

Download audio file (ECP_Season_2_Official_02.mp3)

Promos played:
Up A Paddle
Ani-Gamers

The email address to send the request to Oni!

If you’re wondering what I’m chewing on during the show it’s a yoghurt desert.

1) Get a glass, like a whiskey glass, fill the base with fruit preserve.
2) Fill in with fresh yoghurt (flavoured or not).
3) Top with crushed biscuit.
4) Leave in fridge (uncovered) for two to three hours.
5) Enjoy!

Now see, you do learn something new!

Apologies for Oni’s poor audio. Mic change soon.

And Oni can be found on Twitter here

Direct Download

Anywho if you need to contact me with hints, questions, comments, requests for reviews and anything else then drop me a line @:

• eeeperschoice- at -gmail.com
• Also at GoogleTalk Voicemail @ eeeperschoice- at -gmail.com

Please note that all images (excluding Show Artwork included in the mp3) unless otherwise stated are the respective copyright and trademark of their respective owners and licensers. No copyright infringement is meant or implied.

News

CPM will re-release four titles with reduced prices on January 30: Black Jack DVD Collection 1 ($29.95), Ichi The Killer: Episode Zero ($14.95), Time Bokan ($9.95), and Hammerboy ($9.95).

Satoshi Kon’s next film Paprika is screening at 10 a.m. at Laemmle’s Grande 4-Plex in downtown Los Angeles through Sunday. This screening makes the film eligible to be nominated for an Oscar.I’ve checked out the ANN page on Paprika. It’s as good a synopsis as there is on the film so far.(P.S.: I know I was late with this news clip but I was too F***in’ tired to edit it out!)

ADV Films has officially announced their license to SGT Frog, which includes merchandise and gaming rights as well as other areas (everything but the manga). Separately, Diamond Distributors has relayed that ADV has announced that Volume 1, which is listed in the December Previews for a February release, has been rescheduled for later in 2007.

A new trailer for Makoto Shinkai‘s upcoming Byousoku 5 Centimeter movie trilogy is now online. The films will be released next spring in Japan.

The official site for Gonzo’s Master of Epic anime series is now online. The show premieres next January in Japan.

With grateful thanks to the ANN

Reviews

Densha Otoko

DNAngel

Kimagure Orange Road

As I said before Animeigo did a fantastic job. Here’s the web page
for their liner notes on the TV series. Animeigo regularly bleed for their customers and so many of us ignore the fact that back in the day they were the ADV and Funimation of their day. They just announced their next license here.

Eriko Hara‘s(Hikaru) ANN page

Hiromi Tsuru‘s(Madoka) ANN page

Tohru Furuya‘s(Kyosuke) ANN page

Finally here’s some images from KOR (Please note ALL images taken from Kimagure Orange Road are for review purposes only and no copyright has been taken away from the owners or implied)

Madoka. The Heroine of the story.I think..

Kyosuke. Our Hero. Poor unlucky bas*&!d

A quiet moment between Hikaru and Kyosuke. It can’t last.

Told ya.

Kyosuke getting the job at ABCD from Master. Good Times. Good Times…..

Promos This Week:

• R5 Central
• Ninja Consultant
• Weekly Anime Review(WARP)
• Fast Karate For The Gentleman
• Anime World Order

I’m going on a short break to recharge the batteries so the next show won’t be out for two weeks. But on the next show I’ll be reviewing two manga titles, Infinite Ryvius based on the series by SUNRISE and Legal Drug by CLAMP and the truly awesome OVA series Giant Robo! Chuala Boola or what!?! Eh, eh!?! Ah, I don’t know why I bother…

Download audio file (ECP_show_08.mp3)

Direct Download

Anywho if you need to contact mewith hints, questions, comments, requests for reviews and anything else then drop me a line @:

• eeeperschoice- at -gmail.com
• Also at GoogleTalk Voicemail @ eeeperschoice- at -gmail.com

• ANN page on Kiyohiko Azuma
• ANN page on Yotsuba&!



• ANN page on Cyber City Odeo 808
• Central Park Media Home Page (Good luck searching for Cyber City there!)
• 
• ANN page on The Melancholy of Haruhi Suzumiya
• Official Haruhi Suzumiya Site

Promos this week:

• Anime World Order Podcast
• Jeepneyfied Podcast with Mishi!
• NinjaConsultant Podcast
• Otaku Generation Podcast
• Shadowfalls Podcast

Post Note: In reviewing this show I realised I’ve made some mistakes within the show. Itai! I thought I’d edited these out but I guess they must slipped through. I’m putting together a new show right now so while that’s on the burner, I’ll reedit the third show! Sayoonara!
Download audio file (ECP_show_03.mp3)